It’s a Mystery: Weycombe, by G. M. Malliet

Weycombe

My rating: 3 of 5 stars

Jillian White is bored. When she and her aristocratic husband married and moved to a posh enclave in the village of Weycombe, she thought her life was perfect. Then she lost her job producing a crime series with the BBC, and with time hanging heavy on her hands, she realizes that, as an American, she doesn’t quite fit in. So when her near neighbor Anna is murdered, Jill decides that investigating this crime on her own will liven things up for her, distracting her from her loneliness and from dwelling on  the failing health of her marriage.

The mystery is recounted in first person by Jill, and it isn’t until about halfway through the book that it becomes clear that she’s an unreliable narrator. Shallow and self-centered, she has difficulty empathizing with others, operating from a false  sense of superiority and keeping everyone at arm’s length.  The story has its interesting segments, broken too often by rambling soliloquies about Jill’s innermost thoughts. Something about the brittleness of  her shell is distinctly off-putting; then again, it seems that the entire population of this village are like that. Given the meandering nature of the bulk of this book, the ending seems rushed and abrupt, but it did contain surprises, and Jill does attain her goals at  last.

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It’s a Mystery: The Ophelia Cut, by John Lescroart

The Ophelia Cut (Dismas Hardy, #14)

My rating: 5 of 5 stars

The Ophelia Cut is a welcome addition to the Dismas Hardy series, which has recently laid somewhat dormant. I enjoy this series  because of the depth of the main characters, who grow and change with time, and who strive to maintain their integrity even in the most  trying of their personal conflicts and their legal cases. In Ophelia, Attorney Hardy faces one of his greatest  challenges both personally and professionally.  His niece and God-daughter,  Britney, has been raped, and twenty four hours later, her assailant is dead. The prime suspect is Britney’s father, Moses Malone, brother of Diz’s wife. Diz decides to represent Moses in a situation that could not be more fraught with ethical dilemmas. What father wouldn’t feel murderous toward the man who raped his daughter? The picture is complicated further by the fact that Mose has started drinking again, and Diz and their circle of friends/colleagues are worried that, while under the influence, he might betray a secret that would severely damage each and every one.

I don’t know another writer who can write courtroom drama as well as Lescroart.  The scenes are particularly effective in the audio version of the novel, in this case adroitly read by David Colacci. The tension builds slowly, chapter by chapter, and the reader, along with Mose’s family and friends, is never sure whether or not he is guilty, anticipating the verdict with as much trepidation as the they are. The novel could have ended at that point, but it didn’t, and the final scene is a shocker that I never saw coming. This is a book without a final resolution, leaving many of its ethical questions unresolved. Can revenge ever be justice? What is a lawyer’s obligation when he suspects his witness is lying? What if the prosecution failed to pursue alternative theories? And if you’re wondering what the title means, you’ll have to wonder till the final page.

Highly recommended, one of Lescroart’s absolute best. The followup novel should be really interesting.

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It’s a Mystery: The Widow’s House, by Carol Goodman

The Widow's House

My rating: 4 of 5 stars

Books about books are always fun to read, and this one features three different writers, each working on their own novels. Thirty-something couple Clare and Jess leave behind their trendy loft in Brooklyn to relocate to the Hudson River Valley. Though Jess published a respectable debut novel, ten years later he hasn’t managed to complete a second. Clare would like to get back into writing, and they’re counting on this move to revitalize them professionally and as a couple. They find themselves taking on residence as caretakers at the River Road estate of a famed author who taught some classes while they were in college. It’s a happy reunion, and for a short while things go well, but from the get-go, Clare, who has always been sensitive to the paranormal, begins seeing apparitions of one of the mansion’s previous employees. Her husband encourages Clare to channel her experiences into a novel, telling her to use her imagination or her imagination will use her.

All of the Goodman books that I’ve read and enjoyed involve women academics, writing, water, and the paranormal, but no two have been alike. The Widow’s House is an amalgam of the gothic, the mystery, and the supernatural, and the story depends equally upon each of those elements. The weather and the river mists add to the ambience of the bucolic setting, as do the local history and folklore that are so prevalent in the region to this day (where the Headless Horseman and Rip van Winkle got started!) The tension builds incrementally as strange things keep occurring, and grows so strong that Clare doesn’t know whom to trust or what to believe. The same can been said for the reader, at least those who enjoy a well crafted ghost story.

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It’s a Mystery: The Girl Before, by J.P. Delaney

The Girl Before

My rating: 3 of 5 stars

Recently, it’s become increasingly difficult to find new original novels, what with so many authors seeking to capitalize on the popularity of such bestsellers as Fifty Shades of Gray, Gone Girl, and Girl With the Dragon Tattoo, and also the dystopian/YA/vampire market. Some book sources are inventing names for new genres. I don’t know about that, but it’s pretty easy to recognize piggy backing for popularity when you see it. Some of the writers doing that are Ruth Ware and B. A. Paris, both of whom I’ve read and enjoyed, and perhaps if their  books had been published first, they’d be the bestsellers. The same can be said of The Girl Before, by J. P. Delaney, but to give credit where it’s due, Delaney has added some twists of her own.

This book focuses upon two women who rented One Folgate Street, an avant-garde, architectural prize winning house in London going for a ridiculously reasonable rent. Emma is the first tenant, the “girl before”, whose occupancy ended with a fatal fall down the interior stone stairs. Her successor is Jane, who is struggling to find her equilibrium following a stillbirth. It’s a mystery why either of them would even consider moving to a place whose creepy, obsessive owner, architect Edward Monkford, presents them with a manual containing hundreds of  restrictions (just the two about no rugs and no books would have killed the deal for me) and has a computerized, visual monitoring system called “housekeeper” that controls the home’s every system and ensures the tenant’s compliance.  The book’s other mystery concerns Emma’s death; when Jane learns about she becomes determined to discover what happened and why. That task is complicated by the steamy affair she and the kinky Edward are conducting.

Though loaded with time-honored  tropes and other derivatives (that creepy “housekeeper”, an owner reputed to have caused the death of his own wife and child, the fact that both Emma and Jane are ringers for the dead wife), this book has its appeal. The atmosphere is decidedly eerie, and the  house, austere as it is, nevertheless provides some clues, as does Emma’s rejected former boyfriend.  Jane’s behavior is often foolhardy, but if you can accept that, the psychological implications of all that goes on are fascinating, as is the surprise that abruptly pops up at the very end. The characters are strange and Edward in particular is odious, but their story is weirdly compelling.

It’s a Mystery: Raven Black, by Ann Cleeves

Raven Black (Shetland Island, #1)
My rating: 4 of 5 stars

Ever since experiencing a fascinating visit to Scotland’s Iona and Staffa Islands a few years back, I became interested in other islands in the region. Books set in the British Isles always appeal to me, and I regularly troll the new book release lists looking for new titles and/or authors. In the case of Raven Black, it was the author’s name (Henry VIII’s fourth wife)  that hooked me. Also, the names Shetland and Fair Isle have long been familiar to me as an avid knitter, so I just had to give Ann Cleeves’  Shetland series a try.

Like another popular novel series set in Scotland, Raven Black is a book involving outlanders. The first one we meet is Fran Hunter, who, following her divorce,  relocated to Shetland from London so her daughter could have contact with her father, a prominent island native.  She is struggling to find a niche in the small, literally insular, community where most families have lived for generations. Not surprisingly, it’s the sort of place where everybody knows everybody else and everybody else’s secrets, things not shared with outsiders. When she discovers the strangled body of another newcomer, high school student Catherine Ross, Fran will quickly learn what many of those secrets are.

Detective Jimmy Perez, called in from nearby Fair Isle, is the next incomer on the scene. Nearly everyone he interviews throws suspicion on an elderly local man, who was implicated but not accused in the disappearance of another young girl eight years earlier. Perez, being familiar with the way of life, resists jumping to conclusions, always observing, listening, reading between the lines.

This is a tautly plotted mystery  full of local atmosphere, tradition, and  complex characters.  Perez slowly teases out the conflicts and resentments that underlie community relationships, and he finds no dearth of suspects as well as an abundance of clues. But clues are not evidence, and not until the killer makes another move, during the biggest folkloric festival of the year, do his theories crystallize. There’s plenty of local color and attitude from start to finish, and none of the many clues are tells. The surprising  and satisfactory ending left me eagerly anticipating the sequel, White Nights.

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Modern Lit: Into the Water, by Paula Hawkins

Into the Water
My rating: 4 of 5 stars

The sleepy, remote little town of Beckford, England has a decidedly spooky history. The river that runs through it has what’s known as the drowning pool, which over the centuries has the site of a string of drownings, all women. As Into the Water opens, Jules Abbott is summoned following the death of her older sister Nel, to identify the body and to take care of Lena, her teenaged niece. Nel has been researching the  history of all the local women who died in the pool, starting with a young 17th century woman who drowned during the dunking test for witchcraft. There are many in Beckford who resent that work and who vow to keep the book from publication. The police believe, or say they believe, that Nel committed suicide, but Jules isn’t buying it. One of Nel’s supporters is Nicky, the elderly town mystic. Most view her as barmy, but when she tells Jules that most of the victims, recent and historical, have been wronged by the men in their lives, what she says resonates with Jules, who will come to rely more and more upon Nicky’s insights. Nicky may not have paranormal powers, but she’s certainly a good observer.

Into the Water has multiple narrators, and it is difficult to tell which are reliable. The star of the production is the town with its river; the theme is social justice, misogyny, and the misuse of power. Because there are several victims, there a several subplots, the most vivid being not Nel’s death but that of her daughter’s best friend who drowned only the month before. But all of the women’s stories are compelling in their own right;  the development of Jules’s thorny relationship with her niece is well presented, as is the denouement of her thorny relationship with her sister.  And over everything lies the aura of the strange, secretive town, not threatening, just peculiar. And it’s easy to allow oneself to be drawn into Nel’s conundrums. Into the Water is more psychological drama than suspenseful mystery.

Most of the critical reviews I’ve read compare Water with Girl on a Train, all opining that Water lacks the same brilliance. I prefer to judge books on their own merits, and that’s what I’ve done with my own review.

 

It’s a Mystery: A Pale Horse, by Charles Todd

A Pale Horse (Inspector Ian Rutledge, #10)A Pale Horse by Charles Todd

My rating: 5 of 5 stars

“I looked, and behold, an ashen horse; and he who sat on it had the name Death; and Hades was following with him.” Apocalypse.

Charles Todd continues exploring the hideous ramifications of war in this tenth Ian Rutledge mystery.  Four years after the end of WWI, Rutledge still suffers symptoms of PTSD, which are debilitating even though he manages his flashbacks quite well. The most prominent among his  symptoms is the voice of Hamish, a soldier whom Rutledge unwillingly ordered executed for refusing to follow orders. Hamish functions as a sort of conscience and sounding board , giving readers insight into Rutledge’s thoughts and emotional struggles.

In spite of those struggles, Rutledge is a fine detective, doing  a credible job with Scotland Yard, no thanks to his superior, Chief Superintendent Bowles. Now he’s sent to Berkshire to assist in a War Department search for a missing operative, Gaylord Partridge (really!) Partridge has been residing in a tiny village among eight misfits, who reside in a cluster of cottages originally built for lepers, at the foot of the famous iron age White Horse of Uffington. Though he’s not been briefed, Rutledge strongly suspects that Partridge participated in some top secret mission during the war. Muddying the waters is the discovery, within the ruins of  Yorkshire’s Fountains Abbey, of a corpse wrapped in a hooded cloak, face covered with a gas mask. Though not a part of Rutledge’s assignment, that will prove to be the crucial piece of the puzzle.

Populated with an array of interesting characters, some quite complex and all very real,  and set in one of England’s most mysterious locales, A Pale Horse is a layer cake of secret upon secret, some interrelated and some discrete.  If it weren’t so tightly plotted, following this investigation might have been a bit confusing. As more murders and several arsons occur, Rutledge has an ever increasing abundance of connections to sort through while trying not to tread on the toes of the local police.

The Inspector Rutledge series has a prominent place among the more literary mysteries in the genre, and A Pale Horse definitely fits well into that place; it’s an intelligent, socially relevant novel with resonance in today’s world, where war, business, political secrets, and yes, PTSD,  play such  a large role.