It’s a Mystery: The Detective’s Daughter, by Lesley Thomson

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My rating: 5 of 5 stars

The Detective’s Daughter  does not have a straightforward opening, which is off putting to many readers. It reads as a collection of unrelated short stories, and requires some patience until things start to become clearer. These are backstories, and they’re well worth the wait.

On a sunny day in 1981, young mother Kate Rokesmith is found murdered along the banks of the Thames in Hammersmith. Hours later, her little boy, Jonathan, is found huddled at the foot of sculpture he always enjoyed visiting, and police deduce that he probably witnessed to killing, but the trauma leaves him unwilling/unable to answer their questions.  A single witness, a neighbor,  saw the pair head off for their walk, but otherwise there is a frustrating dearth of information. The police suspect the husband, but lack any semblance of evidence, and the case goes cold. This is one of the cases that has  obsessed former DCS Terry Darnell for thirty years, even into retirement. When he dies suddenly of a heart attack, his semi-estranged daughter, Stella, owner of a professional cleaning business, sets about clearing his house, and a box  of papers she was sorting through indicates that he was actively pursuing the case. When she hires  Jack Harmon to serve a cleaner to her new dentist, Stella finds him decidedly quirky, but surprisingly effective and efficient. It isn’t long before he becomes as interested as she is in the unsolved crime. What ensues is a distinctly cerebral mystery that grows harder and harder to put down. Along the way, Stella learns things about her dad as well as herself that she had never before considered or even recognized. More than a simple police procedural, The Detective’s Daughter is a book about relationships, with vivid, realistic characters, eerie surprises, and several genuinely suspenseful moments.

While reading this novel, I did a web search about the setting, finding many evocative photos that helped bring the story to life. Finished the book this afternoon, and now I’m off to start Ghost Girl, the second book in this series, eager to know more about how Stella and Jack develop as characters. Can’t wait!

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It’s a Mystery: Under a Dark Sky, by Lori Rader-Day

Under a Dark Sky
My rating: 4 of 5 stars

Still reeling from her husband’s death nine months earlier, Eden Wallace finds among his papers a reservation for the lodge at Michigan’s Dark Sky Park, a star gazing resort, scheduled for what would have been their wedding anniversary. Eden is petrified by darkness, but decides to face her fears by keeping the reservation and facing up to them at the park. She’s dismayed and disheartened from the moment she arrives and discovers that the accommodation is comprised of individual suites with shared public spaces. A mini college reunion has also been booked, by a 6-member coterie of former students seeking to rekindle their once-close friendships. They’re no happier than Eden is about the situation, and while they must accept her, they treat her with undisguised hostility. Eden chooses to stay overnight and depart for home early the next morning. Sounds like a plan, until, in the middle of the night, she is awakened by screams emanating from the kitchen. One of the men is lying dead on the floor with a screwdriver protruding from his neck. Now, no one is free to leave.

This is a small town with a small police force inexperienced in investigating murder. They are suspicious of all of the lodge’s residents, who are all suspicious of one another. During the course of their inquiries, it will become apparent that all of them have their own deep, disturbing secrets, Eden included. Watching the cat and mouse game unfold provides surprises for the reader and for the characters themselves. This is an intriguing mystery, narrated solely in first person by Eden, who arrived overwrought and grows ever more so as the tension ratchets up. Each character, whether police or suspects, are finely drawn, believable in their actions and reactions, with personalities all their own, and this is the strength of this novel. The suspects in particular must come to terms with their pasts, which, of course, some accomplish better than others. Parts of the narrative grow repetitive and verge on hysteria, and probably could have been edited down a bit, but otherwise, this is a reasonably tight, well crafted plot that holds attention right to its ending.

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It’s a Mystery: The Secret, Book, and Scone Society, by Ellery Adams

The Secret, Book, & Scone Society (Secret, Book, & Scone Society #1)
My rating: 3 of 5 stars

Although it may not be official, ever since Fried Green Tomatoes, circa 1991, became a hit book and movie, a growing sub genre under the heading “cozy mysteries” appears to have developed. Most of these books sport catchy and cutesy titles (Divine Secrets of the Ya Ya Sisterhood, The Guernsey Literary and Potato Peel Society et al), revolve around a reasonably complex local mystery, and feature small teams of flawed but strong and charming women who are determined to set things right. Sometimes a touch of magical realism is present to spice up the plot. The Secret, Book, and Scone Society, by Ellery Adams, fits squarely into this category.

The title derives from the businesses and past histories of four women protagonists living in Miracle, North Carolina, all of whom are trying to forget painful pasts and get on with their lives as best they can. Although they patronize each other’s shops, they don’t really bond until a man, a newcomer to town who briefly crosses paths with them, winds up dead on the town’s railroad tracks. Was he murdered, did he jump, or was he pushed? This questions bothers them as individuals, and in the immediate aftermath of the death, they decide to band together to discover, or uncover, the truth. During this process, the back story of each woman emerges as they develop trust, understanding, and support for each other. The mystery, involving murder and fraud, serves as the vehicle through which Ellery Adams develops her central characters, who become relatable and loveable in spite of, and because of their all too human flaws. While ancillary characters do lean toward the stereotypical, and the mystery is not all that difficult to solve, the main quartet and the actions they take are more than strong enough to maintain the interest of readers to the end.

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It’s a Mystery: Weycombe, by G. M. Malliet

Weycombe

My rating: 3 of 5 stars

Jillian White is bored. When she and her aristocratic husband married and moved to a posh enclave in the village of Weycombe, she thought her life was perfect. Then she lost her job producing a crime series with the BBC, and with time hanging heavy on her hands, she realizes that, as an American, she doesn’t quite fit in. So when her near neighbor Anna is murdered, Jill decides that investigating this crime on her own will liven things up for her, distracting her from her loneliness and from dwelling on  the failing health of her marriage.

The mystery is recounted in first person by Jill, and it isn’t until about halfway through the book that it becomes clear that she’s an unreliable narrator. Shallow and self-centered, she has difficulty empathizing with others, operating from a false  sense of superiority and keeping everyone at arm’s length.  The story has its interesting segments, broken too often by rambling soliloquies about Jill’s innermost thoughts. Something about the brittleness of  her shell is distinctly off-putting; then again, it seems that the entire population of this village are like that. Given the meandering nature of the bulk of this book, the ending seems rushed and abrupt, but it did contain surprises, and Jill does attain her goals at  last.

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It’s a Mystery: The Ophelia Cut, by John Lescroart

The Ophelia Cut (Dismas Hardy, #14)

My rating: 5 of 5 stars

The Ophelia Cut is a welcome addition to the Dismas Hardy series, which has recently laid somewhat dormant. I enjoy this series  because of the depth of the main characters, who grow and change with time, and who strive to maintain their integrity even in the most  trying of their personal conflicts and their legal cases. In Ophelia, Attorney Hardy faces one of his greatest  challenges both personally and professionally.  His niece and God-daughter,  Britney, has been raped, and twenty four hours later, her assailant is dead. The prime suspect is Britney’s father, Moses Malone, brother of Diz’s wife. Diz decides to represent Moses in a situation that could not be more fraught with ethical dilemmas. What father wouldn’t feel murderous toward the man who raped his daughter? The picture is complicated further by the fact that Mose has started drinking again, and Diz and their circle of friends/colleagues are worried that, while under the influence, he might betray a secret that would severely damage each and every one.

I don’t know another writer who can write courtroom drama as well as Lescroart.  The scenes are particularly effective in the audio version of the novel, in this case adroitly read by David Colacci. The tension builds slowly, chapter by chapter, and the reader, along with Mose’s family and friends, is never sure whether or not he is guilty, anticipating the verdict with as much trepidation as the they are. The novel could have ended at that point, but it didn’t, and the final scene is a shocker that I never saw coming. This is a book without a final resolution, leaving many of its ethical questions unresolved. Can revenge ever be justice? What is a lawyer’s obligation when he suspects his witness is lying? What if the prosecution failed to pursue alternative theories? And if you’re wondering what the title means, you’ll have to wonder till the final page.

Highly recommended, one of Lescroart’s absolute best. The followup novel should be really interesting.

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It’s a Mystery: The Widow’s House, by Carol Goodman

The Widow's House

My rating: 4 of 5 stars

Books about books are always fun to read, and this one features three different writers, each working on their own novels. Thirty-something couple Clare and Jess leave behind their trendy loft in Brooklyn to relocate to the Hudson River Valley. Though Jess published a respectable debut novel, ten years later he hasn’t managed to complete a second. Clare would like to get back into writing, and they’re counting on this move to revitalize them professionally and as a couple. They find themselves taking on residence as caretakers at the River Road estate of a famed author who taught some classes while they were in college. It’s a happy reunion, and for a short while things go well, but from the get-go, Clare, who has always been sensitive to the paranormal, begins seeing apparitions of one of the mansion’s previous employees. Her husband encourages Clare to channel her experiences into a novel, telling her to use her imagination or her imagination will use her.

All of the Goodman books that I’ve read and enjoyed involve women academics, writing, water, and the paranormal, but no two have been alike. The Widow’s House is an amalgam of the gothic, the mystery, and the supernatural, and the story depends equally upon each of those elements. The weather and the river mists add to the ambience of the bucolic setting, as do the local history and folklore that are so prevalent in the region to this day (where the Headless Horseman and Rip van Winkle got started!) The tension builds incrementally as strange things keep occurring, and grows so strong that Clare doesn’t know whom to trust or what to believe. The same can been said for the reader, at least those who enjoy a well crafted ghost story.

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It’s a Mystery: The Girl Before, by J.P. Delaney

The Girl Before

My rating: 3 of 5 stars

Recently, it’s become increasingly difficult to find new original novels, what with so many authors seeking to capitalize on the popularity of such bestsellers as Fifty Shades of Gray, Gone Girl, and Girl With the Dragon Tattoo, and also the dystopian/YA/vampire market. Some book sources are inventing names for new genres. I don’t know about that, but it’s pretty easy to recognize piggy backing for popularity when you see it. Some of the writers doing that are Ruth Ware and B. A. Paris, both of whom I’ve read and enjoyed, and perhaps if their  books had been published first, they’d be the bestsellers. The same can be said of The Girl Before, by J. P. Delaney, but to give credit where it’s due, Delaney has added some twists of her own.

This book focuses upon two women who rented One Folgate Street, an avant-garde, architectural prize winning house in London going for a ridiculously reasonable rent. Emma is the first tenant, the “girl before”, whose occupancy ended with a fatal fall down the interior stone stairs. Her successor is Jane, who is struggling to find her equilibrium following a stillbirth. It’s a mystery why either of them would even consider moving to a place whose creepy, obsessive owner, architect Edward Monkford, presents them with a manual containing hundreds of  restrictions (just the two about no rugs and no books would have killed the deal for me) and has a computerized, visual monitoring system called “housekeeper” that controls the home’s every system and ensures the tenant’s compliance.  The book’s other mystery concerns Emma’s death; when Jane learns about she becomes determined to discover what happened and why. That task is complicated by the steamy affair she and the kinky Edward are conducting.

Though loaded with time-honored  tropes and other derivatives (that creepy “housekeeper”, an owner reputed to have caused the death of his own wife and child, the fact that both Emma and Jane are ringers for the dead wife), this book has its appeal. The atmosphere is decidedly eerie, and the  house, austere as it is, nevertheless provides some clues, as does Emma’s rejected former boyfriend.  Jane’s behavior is often foolhardy, but if you can accept that, the psychological implications of all that goes on are fascinating, as is the surprise that abruptly pops up at the very end. The characters are strange and Edward in particular is odious, but their story is weirdly compelling.