It’s a Mystery: The Girl on the Train, by Paula Hawkins

The Girl on the Train 5 of 5 stars

Rear Window meets Gone Girl in The Girl on the Train, the debut novel of former journalist Paula Hawkins. Rachel Watkins is the eponymous girl, in actuality a 30-something divorcee still reeling from the breakup of her marriage, for which she takes the blame, all of it. Her ex, Tom, remarried instantly and now resides where he and Rachel lived with his new wife, Anna, and year old daughter. Rachel can’t stop herself from hounding them with tearful, demanding phone calls, most placed in the middle of the night. The novel’s plot revolves around what Rachel sees everyday on the train to London, which passes by the back gardens of her former house and neighborhood. A strong first clue to Rachel’s state of mind lies in the fantasy she spins out daily about a couple she observes having coffee each morning from the deck of one of the other houses. Another comes when it becomes apparent how much wine and gin she’s habitually drinking. Finally, we learn that Rachel is taking the train each day to preserve the illusion that she still has the job that she lost because of her drinking problem. One morning she sees the woman, Megan, kissing a man not her husband, and a few days later, Rachel’s shocked to learn that Megan has, as they say in the UK, gone missing. She offers information about that stolen kiss to the police, who consider her an unreliable witness, so she chooses to tell Megan’s husband, Scott.

Rachel is the protagonist in the story, as unreliable a narrator as ever conjured up in the pages of a book. As she becomes immersed in the mystery, she grows more and more unstable, and begins having vivid flashbacks to traumatic experiences that she doesn’t remember. Her point of view, mainly stream of consciousness, alternates with those of Megan and Anna, who are as grounded in denial as Rachel is. All three characters are profoundly disturbed, though at first it appears that Anna and Megan are more functional than Rachel. Tom and Scott, while having no narrator duties, show themselves to be abusive and manipulative. What makes The Girl on the Train so compelling is the remarkable way in which Paula Hawkins presents the interplay among the characters and the manner in which they tailor their perceptions and behaviors to suit their personal needs and self images. Sometimes we all delude ourselves, of course, but these characters have lost their own integrity and connection to reality. We never can tell quite what is lurking right under their facades. As their narratives come together during the latter chapters, the suspense becomes intense, more so because there hasn’t been a lot of warning (few telling slip ups here) and we aren’t quite sure how any of these people will react. Despite the dark, depressive atmosphere, which never really eases, there are glimmers of hope at the end, but this is no easy beach read.

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It’s a Mystery: Gone Girl, by Gillian Flynn

Gone GirlFatal attraction, two ways

My rating: 5 of 5 stars

Nick and Amy approached their marriage in the same way most Americans do, by trying their hardest to please each other and submerging any personality traits or personal desires that might be viewed as negative. According to comedian Yakov Smirnoff, who also has a master’s degree in psychology, “Falling in love is a chemical reaction. But it wears off in a year. That’s why you need a strong line of communication… which includes laughter.” Like many couples, Nick and Amy never considered the possibility that the chemistry would change, and when it did, they checked out of their relationship without ever trying to adapt. This story is related by two supremely unreliable, self absorbed narrators, Nick and Amy themselves, who haven’t the faintest clue how to confront and resolve their problems. When they reach the end of the rope during their 5th year together, Nick plunges into a secret affair and Amy devises a diabolical way to teach her husband the lesson she believes he needs to learn.

The plot of Gone Girl is a like the one in the old movie, Fatal Attraction, but Amy is a much smarter avenger than the Glenn Close character. As in Fatal Attraction, Amy has ample reason for her fury against her lying, cheating husband, which is certainly justifiable, but she goes way over the top in the way she expresses it without ever recognizing her own role in their crash and burn. Throughout the first three quarters of Gone Girl, Amy is far and away the crazy one. Then the pathology deep in Nick’s character begins to assert itself, and by the denouement, many other people undeservedly become collateral damage in their catastrophe. This is a creepy, amoral couple who clearly deserve each other. Gillian Flynn handles all this mayhem with flair and elegance. Her presentation of Nick’s take on the marriage when juxtaposed with Amy’s makes the reader wonder if she’s talking about the same relationship; there is not a breath of honesty to be found. And the suspense, which at times is agonizing, never comes to an end , not even when the book does. What starts out slowly becomes un-put-downable. Noir fiction at its best.

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Thriller: The Whisperer, by Donato Carrisi

The Whisperer
My rating: 4 of 5 stars

Italian screen writer Donato Carrisi enters the serial killer genre with his first novel, The Whisperer, which has won multiple, well deserved literary prizes and has been published in multiple languages. The angle in which he presents this case is a fresh one, in which two criminology specialists join local police to track down a killer who has murdered 5 young girls and appears to have abducted an 6th. The perpetrator knows much more about the police than they do about him, and he delights in tormenting them with severed arms, dolled up corpses, and dead end leads. This main theme is surrounded by multiple subplots which involve individual investigators on the team, each as compelling and important as the main plot, and just as surprising. As a result, the reader experiences pretty much what the investigators experience. Furthermore, we are never informed as to where these crimes are taking place, though the atmosphere is more European than American; it’s easy, therefore, to understand the fact that this type of evil is universal. This is a tough book to enjoy, because of its horrific chain of evidence, but the constant cycle of dashed hopes, uncertainty, and psychological discoveries make it impossible to abandon. It could easily be the stuff of nightmares, but the writing is controlled enough to avoid turning it into a slasher movie. I wish I could have read The Whisperer in the original Italian, because while the translation is competent enough, you can tell that the translator is not a native speaker of English, and I suspect that some of Carrisi’s polish is dulled in places.

Recommended for readers interested in mysteries that challenge the intellect as well as grab and hold one’s interest. Not an easy book to forget, on par with The Girl With the Dragon Tattoo.

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Modern Lit: The Year of Fog, by Michelle Richmond

4.0 out of 5 stars It only takes a moment

There are many times in life when it all changes, irrevocably, in a sudden, single moment. One of those timesthat most of us will never have to experience is the abduction of a child. One can only imagine….. If you read The Year of Fog, you won’t have to imagine. This book opens with a walk on the beach, which, in the course of 30 seconds, turns into one of life’s worst nightmares. This novel is about what happens to the missing child’s caretakers – what they feel, fear, do, and do not do. What happens to their thoughts, their relationships, the substance of their very lives, their selves. Parts of the narrative are incredibly painful, which is to be expected, but what I found surprising were the passages of almost unbearable suspense. Part psychology, part philosophy, and in a large part, mystery, this is a beautifully expressed, detailed work of fiction that suffers from a single fault, and that is its repetitiveness. But its strength far outweighs it weakness.