My rating: 3 of 5 stars
The Essex Serpent has the distinction of being one of the most unusual novels I’ve ever come across, and I’ve been reading them for a long time. The critical reviews for it are stellar. The language is eloquent and frequently lyrical, reminiscent at times of Dickens, Austen, Hardy, and G. Eliot. The characters, though ordinary, are thrumming with life, and each represents a different aspect of English life in late Victorian times. Its narrative is an internal one, as it hops among their minds and their separate reactions to the same incident. Much of it is sad, yet it escapes being dismal. Into the mix, the author deftly inserts social and existential issues, which are just as relevant today as they were in the book’s own time frame. But the plot, that all important feature in any work of fiction, is skeletal.
While I savored all the good things about The Essex Serpent, I kept wishing something would happen. When two momentous somethings finally did, they played out in such an understated fashion that their impact was all but blunted. The conclusion, though not surprising, left me wondering if the author was considering a sequel. If so, I’m not sure if I’d choose to read it. But I’m glad I read this one, if only to discover what influenced all the stellar reviews.