My rating: 4 of 5 stars
The name of Harry Bosch is synonymous in my mind with melancholy. When I first began reading these novels, I did so in the hope that Harry would find some happiness, somewhere, with someone special. Alas, that has not happened as of The Burning Room, number 17 in the series. Harry is an admirable protagonist, moral, compassionate, and willing to take the hard line when it’s called for. He deserves better than he’s gotten so far.
The Burning Room focuses upon two cold cases, one ten years old involving the shooting of a musician who has only now died of his wounds. The second involves Harry’s new partner, Lucy Soto, who is young but has already begun to make her mark in the police force. When Lucy was a child, she was present when her day care center was torched, resulting in the death of several of her teachers and classmates. In fact, Lucy became a cop because of her desire to find out who committed that arson.
Sometimes the Bosch novels are action-laden, and sometimes they’re more internal. The Burning Room is one of the latter. As a result, it’s more of a police procedural than anything else, so don’t look for suspense and drama here. As always, politics in the department and in LA play a major role. But watching Harry as he mentors Lucy, in whom he sees himself as a young detective, and as he ponders the whole of his career, is rewarding in itself. This novel ends in a mild sort of cliff hanger, though if you look at chronology of the series, it’s pretty clear what happens next.
On to the next installment, The Crossing.