It’s a Mystery: A Secret Kept, by Tatiana De Rosnay

A Secret Kept

My rating: 3 of 5 stars

Many reviewers have read and reviewed A Secret Kept after having done so with Tatiana De Rosnay’s first novel, The Secret Key, which received critical acclaim. The general consensus seems to that A Secret Kept can’t hold a candle to its predecessor. Not having read The Secret Key, I’m not hampered by expectations. This book is about a pair of middle aged French siblings, Antoine Rey and his sister Melanie. When they were children, their family took a series of vacations at Noirmoutier Island, and to celebrate Melanie’s 40th birthday, Antoine takes her on a surprise holiday there, hoping to rekindle happy memories. The visit does rekindle memories, but some of them are disturbing. On their way back home, Melanie confides to Antoine that she’s remembered something very disturbing about their mother, who died young. Suddenly, however, their car veers off the road. Antoine is not injured, but Melanie must spend several months in recovery, during which he finds himself suspended with all sorts of questions and speculation, wondering when she will be able to recall the momentous news. ,

The trajectory of this book follows the course of Antoine’s struggle to come to terms with an unwanted divorce. He still loves his wife, who has remarried, and his children, whom he sees on bimonthly visits. Desperately unhappy, he meets a free spirited woman who works as the hospital mortician, and he is stunned to realize that he’s falling in love with her. Melanie finally remembers and divulges the secret she’s discovered about their mother, and set out on a search to uncover how she died so many years ago.

A Secret Kept is a sort of family saga, recounted in real time and in a series of flashbacks. The Reys have always been an uncommunicative family, and, in addition to learning how to live his life anew, Antoine must learn to break out of that destructive pattern if he’s going to become the sort of father and lover that he would like to be. His newly found knowledge about his parents’ secret past, initially a shock, proves to be the key to first finding, and then reinventing himself. This well crafted novel is meditative and full of angst, but not overwhelmingly so, and it’s interesting to watch how Antoine handles having to change much what he thought he knew about who he was. In some places, it’s slow going, but generally worth persevering to the open-ended conclusion. The information about Noirmoutier, which can be reached by a road that’s obliterated by the tide twice is day, is fascinating, and the place becomes an apt metaphor for the book’s central theme.

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Historical Fiction: The Glassblower of Murano, by Marina Fiorato

The Glassblower of Murano

My rating:  3 of 5 stars

Historical fiction meets contemporary romance in this tale of two glassblowers. Leonora Manin, an artist with some skill in glassblowing, has been reading about her ancestor, the illustrious Venetian glassmaker Corradino Manin (fictional). Now reeling from her recent divorce, she decides to make a new start in Venice, which is also the city of her own birth. Leonora fortuitously lands a job and a new love interest during her very first week as a native Venetian. Author Marina Fiorato spins out her debut novel by juxtaposing, in alternating chapters, the lives of 18th century Corradino and 21st century Leonora. By far the most effective of the two story lines is that of Corradino, who, during the downfall of his wealthy merchant family, is taken in by the master of one of Murano’s best glassworks. He grows to become one of the greatest glass artists of all time, and while this sounds wonderful to modern readers, the Republic closely guarded those artists with an eye to preventing them from selling secret formulas and techniques to other countries. But to save his illegitimate daughter, Corradino is reluctantly drawn into a plot to do just that, by traveling to Paris to create the Hall of Mirrors at Versailles. Leonora will learn that she is the direct descendant of that girl.

Leonora’s story is far less compelling, and, because it relies so heavily upon coincidence, less than satisfying. In these sections, Ms. Fiorato resorts to extravagant description, perhaps to dress up a somewhat prosaic plot, in which she is fired when a columnist accuses Corradino of treason. The love match between Leonora and Alessandro Bardolino, descendant of another of Venice’s patrician lines, looks like “someone who stepped out of a painting”, quite literally. So for that matter does Leonora; in her case, it’s the famous Primavera. It takes a while to get started, but things do heat up a bit, and avid romance readers are likely to enjoy their tale more than I did.

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It’s a Mystery: The Secret History, by Donna Tartt

 

The Secret History
My rating: 4 of 5 stars

Richard Papen is chronically depressed, a loser in his own eyes. Penniless, he leaves his native California and his dismissive parents for Hampden College in New Hampshire, where he hopes to reinvent himself. Still very much a fish out of water, his knowledge of the language of ancient Greece eventually comes to the attention of the school’s elite, a group of five wealthy students who study all things Greek under the tutelage of distinguished scholar Julian Delgado. To Richard’s astonishment and delight, he’s invited into this exclusive coterie. Soon, as a result of the mythology and philosophy in which the students become immersed, one of the group will die at the hands of his fellows. This is the secret. As narrator, Richard’s job is to guide readers along on the journey that leads to murder and its inevitable tragic aftermath. This is the history.

The Secret History owes much to such classic forerunners as Crime and Punishment, Brideshead Revisited, and Lord of the Flies, as well as the body of Greek Mythology. To the credit of its author, however, this mystery cum coming of age tale is no mere derivative.

This is an accomplished first novel. Yes, it has its problems. The plot, though certainly compelling, is not complex enough to warrant nearly 600 pages, and it drags in places toward the middle. Readers who expect to “like” the characters will probably not like The Secret History; while they each possess a level of intellectual brilliance, morally they are bankrupt. Self-appointed elitists, the totality of their self absorption will ruin them all. Except for Richard, whose self-contempt paralyzes him to the point that he watches their actions as though watching a game or a movie. But Ms. Tartt is spot on in her portrayal of the 1980’s texture of life at a small town college during a snowy winter, well enough to invoke some nostalgia for my own college days. While revealing the secret in the prologue saps the story of suspense, knowing what will happen evokes a strong sense of dread that grows as the plot plays out, rather like watching a snake from a distance when you know it might strike. Rather like we do whenever any heinous act splashes itself across our television screens.

Fascinating work by a talented writer. Can’t believe I didn’t read it earlier.

It’s a Mystery: Funeral Music, by Morag Joss

Funeral Music

My rating: 3 of 5 stars

Funeral Music is the introductory volume to the Sara Selkirk Mysteries. Sara is a world renowned cellist who has lost her will to perform following the sudden death of her husband. But that is not the mystery in Funeral Music. Sara’s well meaning friend and accompanist, James, cajoles her into playing a charity concert at Bath’s famous Pump Room, after which she makes a horrifying discovery. Someone has stabbed to death the museum curator, dumping his corpse into the Roman baths, and Sara is the first to find him. He wasn’t a very popular or principled individual, and there are any number of possible suspects. The investigation falls to Sara’s cello pupil, DCI Andrew Poole. The plot thickens when Andrew falls for her, and when James becomes a suspect.

This is a simple enough plot with enough interest to permit its competition with the setting, the spectacular city of Bath. Each of the main suspects is given his or her own chapters, and it doesn’t become clear who did it until very close to the end. Along the way, a couple of imaginative yet believable alibis liven things up, but one of those alibis proves to be a cover. I was truly surprised when the murderer was finally revealed. Will Sara return to the concert stage? The answer to that question is left a bit unclear.

A genuine mystery, a cast of engaging (and not so engaging) characters, and an appealing protagonist make this book a quick and pleasant way to spend a few evenings.

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It’s a Mystery: The Haunting of Maddy Clare, by Simone St. James

The Haunting of Maddy Clare

My rating: 4 of 5 stars

England, in the aftermath of The Great War. Few soldiers who fought in France returned unscathed, and Alastair Gellis and Matthew Ryder are no exceptions. Deeply affected by their experiences in the killing fields of France, they have decided to make a study of death and the afterlife by researching and writing about spirit manifestations. Their current case involves trying to rid the Falmouth House barn of its angry, often violent ghost, that of a servant girl, Maddy, who hanged herself there several years ago. Because of some girlhood trauma, Maddy cannot abide men, so Alastair arranges to hire a female assistant. Sarah Piper ekes out a living as an employee of a temp agency, so when she’s sent to interview with Alastair, she cannot resist the chance for a bit of adventure, not realizing that much more will be required of her than simple transcription.

Simone St. James’s description of Sarah’s first encounter with Maddy is atmospheric and chilling, and she spins out this tale in an effective Gothic style. The ghost hunting team quickly recognizes that, before they can hope to calm Maddy and send her on her way, they must ferret out the source of her terrible rage. Interestingly, each of the three comes to encounter her in very different ways, and by comparing their experiences, they begin to tease out the truth. The author enlivens the remote country village setting with good period detail and an array of very English characters, ranging from the new owner of the manor house to the suspicious inn keeper to the surly churchyard sexton. Having recently read, enjoyed, and reviewed Bellman and Black, in which crows play a prominent and symbolic role, it was pleasantly surprising to me to encounter crows in this book as well, fulfilling an even more active function. Maddy’s ghostly behaviors are anything but trite, and while Sarah’s budding romance (I won’t say with whom) could easily have detracted from the book’s central theme, it was well integrated into the plot as a whole. Alastair, Matthew, Sarah, and Maddy herself emerge from their brief but intense relationship quite changed.

The Haunting of Maddy Clare is an impressive debut novel. If it has an outstanding flaw, it is that some of the characters telegraphed their implication in Maddy’s mystery. But the overlying ghost story maintained its appeal, and readers who enjoy modern Gothic will probably enjoy this book.

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It’s a Mystery: W is for Wasted, by Sue Grafton

W is for Wasted (Kinsey Millhone #23)

My rating: 5 of 5 stars

 

W is for Wasted is the 23rd in the Kinsey Millhone series. Twenty third! While most series and their characters grow stale after a while, that’s far from the case with Kinsey. To say Sue Grafton has honed her craft is an understatement. Among her many awards are the Grand Master Award from Mystery Writers of America, and Bouchercon’s Lifetime Achievement Award. Over the years, I’ve read and enjoyed novels A through V, but W is her masterpiece.

Kinsey’s now 38, still unattached, still living the simple life with few encumbrances. And it’s still the 80’s in her home town of Santa Teresa, CA. As the book opens, she’s asked to identify a dead homeless man who carried her name and number in his pocket, but she’s never met him before. Since she’s between cases, Kinsey’s always active curiosity spurs her to find out what she can about the man. She also learns of the death of a sleazy PI whom she did know but didn’t like or trust. Too much free time can be a dangerous thing when you’re K.M.

Author Grafton incorporates the usual stock characters, whom her readers have come fondly to know well, and adds some interesting new ones, especially Ed the cat, some heretofore unknown cousins, and a trio of homeless people who lead her on quite an adventure. This is an intricate plot written on several levels with several disparate threads, and it’s a joy to observe how deftly Grafton is able to consolidate them by book’s end. It’s impossible to decide whether plotting or characterization, dialogue or description, is her outstanding forte, she’s so good at them all. If you like mysteries and haven’t yet had the pleasure of meeting Kinsey Millhone, treat yourself to W is for Wasted. It’s not necessary, though it is fun, to read this series in order. Sue Grafton’s Grand Master and Lifetime Achievement Awards, and all the others she’s been presented over the years, are richly deserved.

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Intriguing Nonfiction: The Hermit in the Garden, by Gordon Campbell

My rating: 5 of 5 stars

Sometimes it really is true that fact is stranger than fiction. You know those little men in the pointy hats that we generally refer to as garden gnomes? They now have a history. You know those classical little “folly” buildings that dot the stately English garden landscape? Well, it turns out that some of these were not strictly decorative.  Gordon Campbell, a Professor of Renaissance Studies at the University of Leicester, has published The Hermit in the Garden: From Imperial Rome to Ornamental Gnome , the first book to describe the phenomenon of the ornamental hermit in Georgian England.

Professor Campbell believes that during the Reformation, the ancient custom of religious persons, sometimes called hermits,  choosing to shut themselves away from the world for constant prayer and meditation came to an end with the dissolution of the great religious houses.   During the 18th century, it became fashionable among the educated and the elite to be “melancholy”, devoting time to the admiration of nature and the study of philosophy. Gradually, some began constructing small rustic cottages, to use as retreats for deep thinking, or, in many cases, to impress visitors with their erudition. It wasn’t long before the wealthy began to  hire men to live in their garden “hermitage”, pretending to be a reclusive but romantic part of the landscape. Although this book is a serious and impressive work of research, Professor Campbell injects threads of humor where appropriate, as when he describes the difficulties inherent in finding men willing to don rough robes, go barefooted, allow their hair, beards, and nails to grow, and, perhaps hardest of all, remain silent, for a period of seven years.

Much of the book is a survey of historic and modern “hermitages” in England, Scotland, France, and parts of Europe, many of which are illustrated. There are numerous extant sites that can still be visited, though they’re no longer inhabited; health regulations prohibit! It ends with some speculation about how the ornamental garden hermit morphed slowly into the ornamental garden gnome, helped along by Disney’s Grumpy, Sleepy, et al.

It’s probably safe to say that there is no  more extensive compilation of information on this topic than The Hermit in the Garden. It’s a valuable addition to the field of garden history, and has much to say, or imply, about Western Civ.

Now I must search out the perfect gnome for my own garden.