My rating: 4 of 5 stars
This is the seventh of twelve books in the Arnaud Gamache series (to date). In order to read any of them but the first, which could easily be billed as the Three Pines series, it’s necessary to accept the premise that a remote, off the map village, almost fairy tale-like in its charm, could truly be the site of so many vicious crimes. But this is no cozy mystery series; rather, each entry is a well crafted, elegantly written police procedural featuring complex characters, many of whom appear from book to book and some only in the specific title.
In Trick, the spotlight falls upon Clara and Peter Morrow, a married couple who are fairly prominent members of the Canadian art scene. The mystery originates with Clara’s celebratory party, held at her home in honor of the unmitigated success of her first private gallery show in Montreal. Her joy is destroyed the very next morning, with the discovery of the broken-necked corpse of Lillian Dyson, Clara’s college roommate who became a much reviled art critic. No one saw Lillian at the party. Is her murder, among the flowers in Clara’s garden, just a coincidence?
Gamache’s investigation leads him into the ugly underbelly of the art world, where both creating and dealing are a dog-eat-dog business. It also delves into the ugly secret that Peter Morrow has been keeping from his wife. No, he’s not the killer. But their marriage will be brought to the brink of failure. Finally, the internal struggles of Gamache and Beauvoir, as they try to come to terms with nearly losing their own lives in their last big case, affect the investigation, and their personal lives, as well.
As always, this book is a pleasure to read. If Gamache at times comes across as too perfect, he does have to compete with Three Pines, after all.