Above is a photo of one of a series of carved heraldic panels that have long been part of the decor at St. Leonard’s Church in Old Warden, Bedfordshire, in the Museum of London, and in private ownership. England. Until very recently, they were all believed to have originated in Bruges, Belgium.
Now David Keyes, archaeology correspondent for the U.K.’s Independent, reports that the panels most likely came from one of Henry VIII’s royal residences, Chelsea Place. Bearing the insignia of Henry’s fourth wife, Anne of Cleves, they were likely commissioned by her to decorate her residence following the failure and dissolution of that marriage, which lasted less then a year. Pleased that Anne did not contest his decision, Henry was lavish in his support of “his dear sister”, as he insisted that people call her. (If you ask me, Anne of Cleves was the most intelligent of the six wives, by far!)
Articles that belonged directly to Henry’s queens are scarce, which grants substantial importance to these carvings. Very little is known about high status interior design during the 16th century, primarily because only two of Henry’s royal residences survive today. The motifs on the panels represent Anne’s royal heritage, and were probably removed from the house after her death in 1557. It appears that some of the designs were copied for use on her tomb; Anne of Cleves is the only one of the wives to be buried at Westminster Abbey.
It has long been said that Henry took a dislike to Anne immediately upon meeting her, being repulsed by her physical appearance. I’ve always thought that she was the prettiest of the six, as well as the smartest.