My rating: 4 of 5 stars
England, in the aftermath of The Great War. Few soldiers who fought in France returned unscathed, and Alastair Gellis and Matthew Ryder are no exceptions. Deeply affected by their experiences in the killing fields of France, they have decided to make a study of death and the afterlife by researching and writing about spirit manifestations. Their current case involves trying to rid the Falmouth House barn of its angry, often violent ghost, that of a servant girl, Maddy, who hanged herself there several years ago. Because of some girlhood trauma, Maddy cannot abide men, so Alastair arranges to hire a female assistant. Sarah Piper ekes out a living as an employee of a temp agency, so when she’s sent to interview with Alastair, she cannot resist the chance for a bit of adventure, not realizing that much more will be required of her than simple transcription.
Simone St. James’s description of Sarah’s first encounter with Maddy is atmospheric and chilling, and she spins out this tale in an effective Gothic style. The ghost hunting team quickly recognizes that, before they can hope to calm Maddy and send her on her way, they must ferret out the source of her terrible rage. Interestingly, each of the three comes to encounter her in very different ways, and by comparing their experiences, they begin to tease out the truth. The author enlivens the remote country village setting with good period detail and an array of very English characters, ranging from the new owner of the manor house to the suspicious inn keeper to the surly churchyard sexton. Having recently read, enjoyed, and reviewed Bellman and Black, in which crows play a prominent and symbolic role, it was pleasantly surprising to me to encounter crows in this book as well, fulfilling an even more active function. Maddy’s ghostly behaviors are anything but trite, and while Sarah’s budding romance (I won’t say with whom) could easily have detracted from the book’s central theme, it was well integrated into the plot as a whole. Alastair, Matthew, Sarah, and Maddy herself emerge from their brief but intense relationship quite changed.
The Haunting of Maddy Clare is an impressive debut novel. If it has an outstanding flaw, it is that some of the characters telegraphed their implication in Maddy’s mystery. But the overlying ghost story maintained its appeal, and readers who enjoy modern Gothic will probably enjoy this book.