Modern Lit: Rooms, by Lauren Oliver

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My rating: 5 of 5 stars

Already well known as a successful writer of young adult novels, Lauren Oliver ventures into the adult market with  Rooms.  Long estranged from their wealthy husband/ father, the Walkers return to their former home in upstate New York for his funeral. Each of them has brought a parcel of personal struggles along with their baggage, and in the days before the service, long buried memories bubble up to the surface, compounding their distress. Only one of the family, teenaged son Trenton, realizes that they are not alone in the house; two of the former residents, now long dead, have failed to move on.

The stories and circumstances of each of the six main characters are told from their own points of view in a series of alternating vignettes. These play out within a specific room in the house, which accounts for the book’s title. These people are all interesting in his/her own right, and each is emotionally distanced from the others, locked in their own misery. Each is preoccupied with thoughts of their own deaths, and not merely because of the funeral. Their depression is palpable, and it’s easy to see why the ghosts have yet to move on. For me, the most compelling characters are Trenton,  and the shades of Alice and Sandra, who were each in early middle age when they died.  Yes, their capacity for denial and repression is strong, but these three have cracks in their armor into which slices of honesty keep filtering. Perhaps that is why Trenton senses, hears, and sees faint manifestations of the spirits, especially when they comment  between themselves (sometimes humorously) about the Walkers.

One of the most popular songs of 2014 is Let It Go, from Disney’s Frozen.  One of the recurring tropes in Rooms is the phrase, “You’ve got to learn to let go.” This is a lesson that everyone absorbs during the last quarter of the book, in greater or lesser degrees, as they are forced by a series of unexpected shocks that turn what they thought they knew upside down,   to confront the truths that are holding them in misery. Yes, there is reason to hope, even though none of us can entirely know another.

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