Paranormal Fiction: Inamorata, by Megan Chance

My rating: 3 of 5 stars

 

Megan Chance creates a twist on the currently popular vampire theme in Inamorata. Struggling American artist Joseph Hannigan and twin sister Sophie travel to Venice, where they hope to find a patron interested in supporting  and championing his work. Everyone who sees it thinks it’s quite extraordinary, and are equally entranced by the beauty and inter-connectedness of the twins. At the same time,  failed poet Nicholas Dane has arrived, bent on tracing the whereabouts of Odile Leon, the enchanting seductress who left him deep in despair. Odile, it seems, possesses the powers of a muse, and while her amorous conquests produce beautiful work during their relationship, the men lose their inspiration when they part. As the Hannigans penetrate the inner circle of artists and patrons, young men begin to die in suspicious circumstances, and Nicholas suspects that Odile may be involved. The Venice of this novel, set in the late 19th century, is a dark, labyrinthine one, damp and menacing. Its plot revolves on the myth of the succubus, a creature with the upper body of an irresistible woman and the lower body of a serpent. Succubi leach away the creativity and life force from their lovers, in order to maintain their immortality. Slowly paced,the story unfolds in a fairly predictable way, but the ending brings about an unforeseen set of circumstances. It also leaves unresolved a question about the true nature of the twins’ relationship.

Considering the topic, Inamorata elicits less a sense of horror than one of desolation.

Paranormal Fiction: NOS4A2, by Joe Hill

My rating: 5 of 5 stars

Victoria McQueen  has access to “the shorter way” , a bridge that was removed years ago but that she can still locate when she wants to find something. She discovered her gift as a child, when looking for her mom’s lost bracelet. Now, as a troubled adult, she must use it to find and  destroy a monster who preys on children. NOS4A2 is the story of her quest, which will turn into the most harrowing nightmare in a life filled with nightmares. Charles Manx is the monster’s name, and he cruises around at will in a vintage Rolls Wraith that sports the license plate NOS4A2 in honor of the vampire in an equally vintage horror movie. Manx’s current assistant is Bing Partridge, who speaks in rhyme and views himself as nice and normal despite having murdered his parents with a hammer. These two make up one of creepiest duos in modern literature. Over 500 pages of this lengthy novel lead up to an ultimate showdown in Manx’s “children’s paradise”, which he calls Christmas Land.

Joe Hill has a way with words, no doubt about it. In Christmas Land, he has conjured a timeless village which only Manx can enter and depart from at will – until Vic stumbles onto his scene.  Hill draws upon mythology (think vampire, incubus, Batman, immortality), poetry (the concept of inscape, the inner world of the mind described by G. M. Hopkins), music (Maxwell’s Silver Hammer and countless Christmas carols), and magic.  He incorporates plays on word and ideas all over the place, and these are great fun to recognize. In many ways this book is Harry Potter for adults. He sets Vic  on a classic hero’s quest, and along the way she receives assistance from the unlikeliest of friends and family. During her struggle, she comes to know and accept herself and to release the deep love and empathy that she holds deep within. Hill has become a master of the contemporary horror novel, understanding that suggestion can be more powerful than the  most grotesque description can ever be. Rather than sicken his readers, he invites them to use their own imagination and fears to experience what his characters are experiencing. And it works. Very, very well. My only criticism of the novel is that its middle third fails to move along at the pace  of the first and final sections.

Most of the reviews I’ve read online contain comparisons between the work of Joe Hill and that of his more famous father, Steven King. It’s my belief that Hill’s writing deserves to be considered on its own substantial merits.

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Historical Fiction: The House at Tyneford, by Natasha Solomons

My rating: 4 of 5 stars

“I felt the shadows draw around the house. They went up with the blackouts while I was sleeping, but when Mrs. Ellsworth unfastened the blinds, the shadows remained.” Elise Landau, main character.

1938 Vienna. The Landau family is Jewish, and they had a lovely, almost idyllic life, full of music and literature,   until the Nazis interfered. Now they must endure a painful separation, fleeing to safer places for the duration. Eighteen year old Elise must go to Tyneford, England and work as a housemaid to the Rivers family, of the landed gentry. Her change in circumstances is difficult and trying, but when Kit, the heir to the estate, comes home on a visit from college, he and Elise fall in love, much against convention. To marry one’s maid, and a Jewish one at that, is simply not done. But the Mr. Rivers is kind to Elise, selling a valuable painting to acquire the funds to bribe Austrian officials into issuing  exit visas for her parents.  Then war, at last, breaks out, and each day becomes a waiting and hoping game.

There are two story lines in this novel, both centering upon the massive changes that war imposes on “life as usual” for civilians.  The main thread concerns all the heartache and obstacles that young Elise must endure and overcome, and the other, the struggles faced by the Rivers family and their staff as they helplessly watch their traditional way of life crumble around them.  This is a character driven book, in which the butler and housekeeper, Kit’s social companions, and various villagers are drawn as palpably as are Elise, Kit, and his father. The plot is simple and unfolds slowly. Natasha Solomons is truly gifted in her ability to conjure evocative, often poetic images, the atmosphere as a whole  charming but decidedly melancholy. And she deserves credit for preventing the elements of romance from overwhelming the story and obscuring its  themes.  True to form, the ending is bittersweet. While some reviewers have criticized it as unrealistic and too convenient,  for me, it hit the right note. Though quite different from Austen’s Jane Eyre, in some places I found Tyneford somewhat reminiscent in terms of location and the plight of the heroine.

An interesting side note: Tyneford, and much of the novel’s plot, are based upon an actual Dorset village, Tyneham, where remnants of both the manor house and the village now comprise a museum of sorts.

It’s a Mystery: A Fatal Grace, by Louise Penny

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My rating: 4 of 5 stars

 

Martha Stewart wannabe CC de Poitiers has invaded the tranquility of the picture postcard village of Three Pines, buying up the somewhat creepy mansion in which Inspector Gamache’s last bloody case was brought to a close.  Moving in with her henpecked husband and gifted but unloved daughter, CC manages to cast a pall even over the idyllic Christmas Eve service. She’s also shamelessly purloined the ideas of the villagers  to publish in her new book as her own. So when CC  winds up dead by electrocution during the traditional holiday curling tournament, no one is surprised or sorry. But Gamache must investigate anyway, and has got his work cut out for him. The situation is complicated by the reassignment of agent Yvette Nichol to his squad,  who did her utmost to undermine that last investigation. Then there’s the murder of  a homeless woman in Montreal, a seemingly unrelated crime that turns out to have serious connections to CC’s death.

The charm of this series lies less in its police procedural aspects than in watching Gamache, a serious student of human nature, piece together tiny bits of evidence and intuitions to formulate a coherent theory to pursue. While  occasionally threatening to spill over into the cozy genre, this is avoided by the inclusion of unusual settings and experiences, in this case the curling match and  certain parallels to Eleanor of Aquitaine.  The behavior of seemingly honest and harmless villagers can also be deceiving. There is no such person in Three Pines or in Gamache’s wider sphere of influence, excepting perhaps, his wife Reine Marie. Like Guido Brunetti in Donna Leon’s series, Armand Gamache is a man of intelligence and humanity, someone you’d like to get to know.

 

 

 

 

 

 

 

 

 

 

 

 

Modern Lit: Rooms, by Lauren Oliver

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My rating: 5 of 5 stars

Already well known as a successful writer of young adult novels, Lauren Oliver ventures into the adult market with  Rooms.  Long estranged from their wealthy husband/ father, the Walkers return to their former home in upstate New York for his funeral. Each of them has brought a parcel of personal struggles along with their baggage, and in the days before the service, long buried memories bubble up to the surface, compounding their distress. Only one of the family, teenaged son Trenton, realizes that they are not alone in the house; two of the former residents, now long dead, have failed to move on.

The stories and circumstances of each of the six main characters are told from their own points of view in a series of alternating vignettes. These play out within a specific room in the house, which accounts for the book’s title. These people are all interesting in his/her own right, and each is emotionally distanced from the others, locked in their own misery. Each is preoccupied with thoughts of their own deaths, and not merely because of the funeral. Their depression is palpable, and it’s easy to see why the ghosts have yet to move on. For me, the most compelling characters are Trenton,  and the shades of Alice and Sandra, who were each in early middle age when they died.  Yes, their capacity for denial and repression is strong, but these three have cracks in their armor into which slices of honesty keep filtering. Perhaps that is why Trenton senses, hears, and sees faint manifestations of the spirits, especially when they comment  between themselves (sometimes humorously) about the Walkers.

One of the most popular songs of 2014 is Let It Go, from Disney’s Frozen.  One of the recurring tropes in Rooms is the phrase, “You’ve got to learn to let go.” This is a lesson that everyone absorbs during the last quarter of the book, in greater or lesser degrees, as they are forced by a series of unexpected shocks that turn what they thought they knew upside down,   to confront the truths that are holding them in misery. Yes, there is reason to hope, even though none of us can entirely know another.

It’s a Mystery: Please Don’t Tell, by Elizabeth Adler

My rating: 2 of 5 stars

It’s a dark and stormy night on the California coast. There’s a serial killer terrorizing San Francisco, who drugs and rapes his  victims, slits their throats, and leaves them to die; one of these young women is discovered clinging to life and rushed to the ER, where the beautiful Dr. Vivian Dexter stabilizes her before surgery. “Dr. Vivi”, struggling to get over a failed romance, catches the eye of two men, the detective,  hunky Brad Merlin, and the hospital’s famous psychiatrist, “Dr. Ralph”. Miles away on Big Sur, Aunt Fen is disappointed that Vivi must postpone her visit due to the weather. But Fen won’t have to eat alone, for a rugged stranger, drenched and bleeding from a car wreck, appears at her door seeking help.

Thus opens Please Don’t Tell, setting up a plot full of danger and romance.  The love at first sight theme is seriously overextended, especially because several of the men serve as persons of interest. That doesn’t stop Fen, Vivi, and her sister JC from hanging all over them anyway, better judgment be damned. It’s not much of a stretch to foresee who the killer really is, and one of the three will become his next target. Not much of a mystery, not many thrills, but readers who enjoy a heavy dollop of romance will probably enjoy this tale.

Nonfiction Worth Reading: Six Women of Salem, by Marilynne K. Roach

My rating: 4 of 5 stars

 Books about the Salem Witch Trials are legion, and continue to fascinate. Now historian and author Marilynne Roach has taken a new approach by studying and presenting the cases of  three of the accused and three of their accusers.  It opens with

introductions, based upon the limited documentation available, of  Rebecca Nurse, Bridget Bishop,  Mary English, all accused of witchcraft, and Ann Putnam Sr., Tituba, and Mary Warren, who were heavily involved in making accusations.  The detail that the author has compiled helps to make these women seem real.

The second section is an account, month by month, of the hearings and trials, with comprehensive and often verbatim descriptions of the testimony of all involved. Initially, this is fascinating, but as the trials grind on, much of the information involves the dramatic “fits” of the girls supposed to have been bewitched, and their reactions to the suspects. Necessarily, many other individuals, in addition to the eponymous six, enter into the action.  Soon these accounts become monotonous in their astonishing similarity, prompting the reader to wonder how the distinguished and “learned” judges allowed themselves to be taken in for eight months. More interesting are the vignettes in which the author imagines what the six might have been thinking at the various steps along the way to the convictions and deaths. Tales of how relatives worked to exonerate their women, coupled with  depictions of the hangings, are heartbreaking.

The  book’s final section deals with the aftermath, when colonial authorities put a stop to the proceedings, shocked at how many were being accused (over 200 men and women) and executed. Once they stopped the admission of spectral evidence, the wind was taken out of the sails of the entire hysterical happening. A complete listing of  documentary evidence, with volumes and page numbers, is provided for each chapter. A series of schematic maps is also included.

Although it does lag in sections, Six Women of Salem is well worth reading for students, historians, and anyone interested in the terrible year of 1692 and the witchcraft phenomenon in its American particulars.