Plot: Cary Grant portrays Mortimer Brewster, a famous arts critic who marries the girl next door on Halloween. He returns to the Brooklyn home he shares with his two maiden aunts to pack for his honeymoon (at Niagara Falls, of course), when he discovers a corpse in the window seat. Mortimer is shocked to learn that his sweet old aunts have been poisoning lonely old men with arsenic laced elderberry wine, and burying them in the “Panama Canal” that Teddy has dug in the cellar. He spends the rest of the movie frenetically trying to have Teddy committed, in the hope that if the authorities should happen to learn about the bodies in the basement, they’ll blame it all on Teddy. Midway through, long lost, psychopathic third brother Jonathan appears on the scene with his plastic surgeon and another corpse in tow.
Arsenic and Old Lace was released in 1944. It’s in black and white and very much like the stage play that inspired it, but when viewed as a period piece, one of the “madcap comedies” of the time, it doesn’t come across as dated. Cary Grant bears the weight of the plot, and he’s brilliant. It’s a joy to watch him convey a full spectrum of emotion in a ten second sequence of facial expressions. Raymond Massey plays the role of Jonathan, who becomes enraged whenever anyone mentions his resemblance to Boris Karloff, and Peter Lorre that of Dr. Einstein, who keeps promising to make him look like someone else. The aunts, some cops, Mortimer’s new wife, and the sanitarium director make frequent appearances to move the story along.
In spite of its macabre theme, this is very much a comedy, with lines that hold up quite well some seventy years after they were uttered. Great fun, full of laughs, and vintage in the best sense of the word.
My rating: 4 of 5 stars
Someone is killing baseball superstars. There’s another players strike underway, and the self proclaimed Vindicator wants to teach a lesson to the greedy, overpaid sob’s who are ruining the sport, players and owners alike. Randy Larkin, insurance agent, is basking in the satisfaction of having successfully taken down a cop killer, when news about the baseball murders breaks and grabs his attention. Now Randy starts to think about becoming a real PI, and is itching to tackle this case.
Once you accept the premise that the FBI would actually accept assistance from rank amateurs, Three Strikes and You’re Dead takes on momentum. Working under the supervision of a licensed PI mentor, Randy, his brother Graham, and soon-to-be girlfriend Rosanne soon find themselves hot on the trail. The narration alternates between their efforts and those of the Vindicator and the terrorist who controls him. The feature that most grabbed my attention was the use that the novice investigators made of social media, especially Facebook, by setting up a discussion page about the crime and asking speculative questions of the participants. The plot moves along briskly and reaches its culmination in Grand Central Station.
The author, an online friend and fellow Connecticut resident, provided me with a copy to read and review objectively. I’m glad I did. The decency and unpretentious attitude of Randy Larkin makes him a refreshingly appealing character, and, since this is his second outing in a Mike Draper production, I hope there’s a series in the works.
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excerpt from The Pumpkin, by John Greenleaf Whittier
Ah! on Thanksgiving day, when from East and from West,
From North and from South comes the pilgrim and guest;
When the gray-haired New Englander sees round his board
The old broken links of affection restored;
When the care-wearied man seeks his mother once more,
And the worn matron smiles where the girl smiled before;
What moistens the lip and what brightens the eye,
What calls back the past, like the rich Pumpkin pie?
In this sixth entry in the Charles Lenox series, many changes have occurred in his life. For one thing, Charles is now a member of the House of Commons, and finds himself flooded with the demands of his new position. Perhaps more importantly, he and wife Lady Jane are now the parents of Sophie, with whom Charles is charmingly besotted. When chosen to give the opening speech to the Parliament, he decides that this great honor deserves his full attention, and to escape the distractions of London, he takes his family to visit his uncle, who lives in the countryside. But the quiet village of Plumbley will soon besiege Charles with distractions of a different sort, of the type that lead to murder.
Death in the Small Hours is a very mannerly novel, rich with the conventions of upper class Victorian society. The mystery itself is tightly constructed and multi -layered, and Charles is delighted to have the chance to flex his investigative muscles once more.There are plenty of suspects, but little hard evidence, and it isn’t until his uncle is kidnapped that the various threads start to come together in a surprising fashion.
Charles himself is somewhat prissy, in a Poirot-ish sort of way, and Lady Jane is a model Victorian wife and mother. All of the characters, in fact, could have been invented by Agatha Christy herself, such typically English types are they. As a result, the story comes across more as drawing room performance than sharp edged suspense.
by Katherine Mansfield
Now’s the time when children’s noses
All become as red as roses
And the colour of their faces
Makes me think of orchard places
Where the juicy apples grow,
And tomatoes in a row.
And to-day the hardened sinner
Never could be late for dinner,
But will jump up to the table
Just as soon as he is able,
Ask for three times hot roast mutton–
Oh! the shocking little glutton.
Come then, find your ball and racket,
Pop into your winter jacket,
With the lovely bear-skin lining.
While the sun is brightly shining,
Let us run and play together
And just love the autumn weather.
The subtitle of this book is “A Guide to Unusual, Historic, and Otherwise Notable Cemeteries”, but I’ve found it to be a series of one to two page vignettes about 95 cemeteries in the six New England states. The author has selected what she found to be the most interesting tombstone in each graveyard, adding one or two more if she found them remarkable. A photo accompanies each of the locations.
The back cover describes Stones and Bones as a guide that provides all the tools that you need to explore on your own. If you like to drop into old cemeteries and putter around a bit, I suppose that’s true. For those with a deeper interest in funeral and burial practices, gravestone iconography, and epitaphs, there is little here to hold that interest. Included is some limited but useful information on almshouse burials, some brief description of the headstones of a few famous individuals, and dashes of humor. The photos, though black and white, are sharp and clear. It also identifies the oldest legible gravestone in CT (1644, Windsor.) My favorite chapter was the final one, entitled Ben & Jerry’s Flavor Graveyard, where retired ice cream flavors are commemorated with hokey epitaphs and images of winged ice cream cones apparently ready to fly to ice cream heaven. Who knew?!
Recommended for the most casual of cemetery visitors.